You are here

Album of the Week: Spitzer 'The Call'

Some fine cuts of darkness signal the end of the summer it seems.


By Spotlight


Artist: Spitzer
Album: The Call
Label: InFine
Release Date: 03/09/2012

iTunes Purchase Link
soundcloud.com/spitzer_sncld
spitzer.fr
facebook.com/therealspitzer

The scent of summer remains and the air is still warm with sunshine. But the two Lyon based brothers behind this latest, spellbinding LP from France’s most beguiling dance imprint don’t care, judging by the overwhelming darkness inherent in the release.

A product of almost two years hard labour, Damien and Matthieu Spitzer’s pop and punk backgrounds are almost immediately evident on their debut album, or at least by track two, Madigan. Building from bass guitars to brushed snare rhythms, shades of prog rock deities Can are audible, somewhere behind twanged six string chords, and brooding vocal chants- it’s electronica, but not really as most recognise it.

As such, when Clunker kicks in the sounds offered up are logical. Angsty male lyricism, relentless baritones and strained, frayed melodies, aided by Parisian band Fab of Frustration, ensure you could almost be forgiven for thinking it’s a product of Britain during the late-1970s. And it’s far from a cheap imitation of that era’s luminaries.

Fundamentally though this is an electronic album. Opener Marsch moves from sombre pianos to stormy, stripped and driving techno; one for fans of Ellen Allien’s moodier moments. Later, Breaking The Wave applies dubby, melodic overtones, and subtle synth refrains to the blueprint. Meanwhile, title number The Call offers huge keys, along with enough timbre and build to suggest members of the old progressive guard still worth their weight in atmospherics will show interest.

A typical InFine release of contrasting neo-techno then, there’s more familiarity for label fans to relish in as Kid A- the show stealing guest vocalist from bossman Agoria’s 2011 album, Impermanence- makes another appearance. Needless to say, Too hard To Breathe is a downbeat rumbler suited to her otherworldly, high pitched but gentile delivery. It’s also possibly the best thing on here, though only because of its inherent beauty (vaguely comparable to a melancholic All Is Full Of Love), rather than disappointment with the four fours. Altogether engaging, this record is destined for the essential shopping list.

Tags:

Related content

Toronto trio drops a hustle and bustle of multi-genres in their new EP.
The four best albums from last year according to our deeply perceptive ears.
The Balearic beacon beams down with a compilation that transports you to a dream-like state of...
Dâm-Funk hits us with an ear bending 20-tracked offering with his ever celestial sound in Invite...
Take a peak inside Nils Frahm's musical box.
An eclectic and intricately woven journey into Joris Voorn’s favourites.
The magic of changing light, in music.
Solid summer party-ready grooves from Kerri Chandler’s label, Madtech.
A journey through futuristic soundscapes of unimaginable beauty; ladies and space cadets, this is '...
The prolific young producer takes us on a dark and brooding conceptual journey.
A tribute to the scores of night owls who help make clubbing memories round the world...
...asserting Schwarz’s position as one of the dance industry’s most technically proficient...


Latest news

Dig in to find out exactly who will be taking you back to the golden years of acid house and Baleari

Yesterday

Sven Väth at Pacha Barcelona? February and March are looking very tasty for the techno heads.

Yesterday

Need to know the residents storming Amnesia's terrace and main room? Find out right here.

Yesterday

Valentine's day opening

Yesterday

Island of love!

Yesterday

The clubbers’ hotel opens its doors the coming May.

1 day ago

Friday is family fun day!

2 days ago

You are here